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SASDAYA: Gadjah Mada Journal of Humanities
ISSN : 25483218     EISSN : 25493884     DOI : -
SASDAYA: Gadjah Mada Journal of Humanities (GMJH), is a multidisciplinary scientific journal with the primary aim of exchanging, developing, and disseminating of Humanities on Southeast Asia. Articles published in journals are based on research results, fieldwork, and literature studies (development of theory) by first through a peer-reviewed process. The Management of the journal invites academic, and researcher to submit their critical writing to contribute to the development of the humanities sciences.
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Articles 35 Documents
Membaca Masyarakat Buton melalui Tradisi Lisan Kabanti Ajonga Yinda Malusa (Pakaian yang Tidak Luntur) Rabani, La Ode
SASDAYA: Gadjah Mada Journal of Humanities Vol 3, No 1 (2019): February 2019
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (459.558 KB) | DOI: 10.22146/sasdayajournal.43889

Abstract

Produksi naskah selalu memiliki tujuan. Tujaun awal adalah dokumentasi nilai-nilai yang harus diketahui oleh masyarakat intern dan dunia di luar mereka. Nilai itu kemudian diajarkan, diterapkan dan kemudian diwariskan dari generasi ke generasi. Untuk memperkuat nilai, maka elemen sufistik, sebagaimana yang umum berlaku dalam naskah-naskah Nusantara selalu disematkan. Penamaan selalu mengikuti nilai terpenting dalam sebuah naskah. penamaan itu terkait erat dengan makna terdalam dari sebuah naskah. Sebagai gambaran, naskah Kabhanti Ajonga Yinda Malusa yang berarti Pakaian yang tidak luntur, jelas mempunyai kekuatan makna.
KAJIAN TEORI FORMALISME DAN STRUKTURALISME Manshur, Fadlil Munawwar
SASDAYA: Gadjah Mada Journal of Humanities Vol 3, No 1 (2019): February 2019
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (430.296 KB) | DOI: 10.22146/sasdayajournal.43888

Abstract

From the perspective of formalism theory, this study aims to reveal that a research on literary texts does not only pay attention to textual facts existing in literary works, but also needs to pay attention to what exists outside the text. In the literary works, the element of defamiliarization holds that literary language is able to express facts of stories using unfamiliar languages. From the perspective of structuralism theory, this study aims to reveal that structuralism is conceptually a continuation of formalism which largely depends on language. Structuralism theory has a close relationship with linguistics, especially in analyzing the functions of the language used. The analysis of language function can help understanding language semiotics that views literature as a sign that then led to literary semiotics. Therefore, functioning to examine a phenomenon, the concept of semiotic structuralism emerged as a social fact.  Critical approach was deemed suitable to be used in this study because formalism theory and structuralism theory are part of a social construction and part of a discursive formation in the formation of subject and reality. As a result, it could be seen the position of formalism theory and structuralism theory in literary research of which raw material is language. The findings in this study are that the formalism theory in its development is dynamic and its language construction stimulates readers to respond. In principle, literary work is not autonomous because it contains author’s feelings and society’s mind. Literary research should exceed the boundaries of formalism and be able to create new vocabularies in writing novels. In the novel, there is intertextual polyvalence, which is a series and intensive dialogic linkages that are capable of giving birth to new novels. Another finding is that structuralism theory has a close relationship with linguistics, for example phonological elements in linguistics which can help literary theory in analyzing sound levels in oral literary works. This theory has also developed a study of poetry to the aesthetic level so that this study has shifted from its original aspects of verbal art only to all art and artistic aesthetics in the present time. This shift distinguishes the views between formalism and structuralism in relation to norms and values inherent in language.
GAFATAR DAN DINAMIKA GERAKAN SOSIALNYA Asrawijaya, Enkin
SASDAYA: Gadjah Mada Journal of Humanities Vol 3, No 1 (2019): February 2019
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (494.505 KB) | DOI: 10.22146/sasdayajournal.43887

Abstract

Gafatar is a form of community upheaval in Indonesia in the current reform era. Issues surrounding the ideology and the attempts of treason case became the problem that caused Gafatar to lose the masses of the public. Gafatar has the concept of food self-sufficiency which is then implemented in a peasant movement as its criticism of the government. To explain the dynamics of the Gafatar social movement, used the theory of McAdam et al, about Political Opportunities, Mobilizing Structures, and Cultural Framings. The political opportunity arises from the distrust of government programs that have been offered to the people who are deemed to be ineffective. Mobilizing Structur Gafatar movement is manifested through the formation of the organization, forming a network of cooperation and collective action. While cultural framing, created through the issues addressed to Gafatar causing the formation of negative stigma in society.
KELAHIRAN MUHAMMADIYAH DARI PERSPEKTIF HERMENEUTIK Suwarno, Suwarno
SASDAYA: Gadjah Mada Journal of Humanities Vol 3, No 1 (2019): February 2019
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (458.106 KB) | DOI: 10.22146/sasdayajournal.43886

Abstract

This article discusses the birth of Muhammadiyah from a hermeneutic perspective, especially from Gadamer. Ahmad Dahlan founded Muhammadiyah on 18 November 1912 based on the knowledge of the idea of modern Islamic reform and understanding and concern about the real condition of Muslims who was hit by poverty, ignorance and backwardness. Ahmad Dahlan has a high historical awareness to change the traditions of society which were covered by the syncretic Islamic tradition that produces superstitious culture and traditionalist Islam that produces heretical and khurafat cultures towards Islamic purification and the dynamism of Islamic society. Ahmad Dahlan's historical awareness was sustained by his strong temperament, firm stance and his courage to break the tradition of perverts.
MENERAWANG MASA LALU DI ERA DIGITAL: FILM SEJARAH VIS A VIS HISTORIOGRAFI Hakim, Luqman Abdul
SASDAYA: Gadjah Mada Journal of Humanities Vol 3, No 1 (2019): February 2019
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (414.478 KB) | DOI: 10.22146/sasdayajournal.43885

Abstract

In recent years historical film production or historical films — Historical Film, Historical Movie, Historical Cinema—have become increasingly massive in Indonesia. In its development, historical films in Indonesia are a massive medium to present a past that deserves to be remembered as a collective memory of society. Since the reform era, dozens of historical film titles have been produced and colouring the Indonesian film industry. As a result, many historical films have become references and reference sources for the community to find information about the past. It becomes reasonable to see the development of multimedia-based information technology (audiovisual) which has encouraged the emergence of post-literacy phenomena. In historical studies, historical films can be studied as a thematic study as well as in a methodological realm. As a thematic study, historical films are mental products (mentifact) and social products (sociofact) of society in a certain space of time. Whereas in the methodological realm, historical films can be explored through debates about historical sources or as narratives and representations of the past presented through film media. The study of historical films as a study of history is still a rare and less desirable subject for historians in Indonesia. This paper utilizes literature studies to answer some of the research problems posed. Literature studies of sources related to historical film studies are the focus of the researchers. In addition, a deeper understanding of the development of historical films in Indonesia is also a concern to uncover the souls of the times that surround historical film production. This study concludes that the existence of historical films in the present is a challenge for historians to face the era of openness and variety of media that presents information about the past.
FOTO SEJARAH PADA MEDIA DIGITAL: PEWARNAAN DAN MEME BERKONTEN SEJARAH Haeri, Iman Zanatul
SASDAYA: Gadjah Mada Journal of Humanities Vol 3, No 1 (2019): February 2019
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (489.434 KB) | DOI: 10.22146/sasdayajournal.43884

Abstract

Technological developments make it easier for historical reviewers to approach historical sources. But there is a trend in Indonesian digital society to change historical sources such as historical photos as information consumption. Along with the development of the times, analog photos turned into historical photos that were present in the millennial era appeared in two ways; first coloring photo history, the second "meme" set in historical photos. In order to track digital footage of this phenomenon, historical methodology and photo analysis of Roland Barthes are used to show the birth of historical photo coloring trends and memes in the digital world. The coloring of historical photos causes a change in time awareness of historical sources and memes on historical photographs cause a change and multiplication of meanings in digital photos as historical sources.
LANGUAGE KINSHIP BETWEEN KOMERING VARIATION AND LAMPUNG MENGGALA Sudirman, A.M.
SASDAYA: Gadjah Mada Journal of Humanities Vol 3, No 1 (2019): February 2019
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (553.106 KB) | DOI: 10.22146/sasdayajournal.43883

Abstract

Artikel ini mengkaji kekerabatan Isolek Komering dan Lampung Menggala kedua isolek tersebut, secara kualitatif ditandai perbedaan dalam persamaan atau persamaan dalam perbedaan tuturan 'mutually intelligble' antarpenutur bahasa yang diperlihatkan oleh evidensi unsur bunyi [u]~[eu] pada ultima terbuka leksikon, pada kata [batu]~[batteu]; evidensi unsur bunyi [nt]~[tt] (homorgan~geminasi) pada posisi antar-vokal pada leksikon [bintaŋ]~[bittaŋ]; evidensi unsur pinjaman pada kata bermakna 'baru', 'pasir' menjadi inovasi [baReu] dan [pasiR]; dan secara diakronis telah terjadi inovasi [ampay]*~[ompay]'baru' dan [həni]*~[honi] 'pasir'. Sedangkan secara kuantitatif hasil kajian komparatif 200 kosa-kata Swadesh status isolek Komering dan bahasa Lampung merupakan bahasa kekerabatan 'language of family', kriteria Dialektometri, evidensi di atas merupakan perbedaan dialek dalam kelompok bahasa Lampung, karena hasil persentasi Isolek Komering-Menggala 82,16%, disokong oleh Crowley, bahwa hubungan tersebut, termasuk hubungan antar-dialek dalam satu bahasa
Keberlanjutan Purwanto, Bambang
SASDAYA: Gadjah Mada Journal of Humanities Vol 3, No 1 (2019): February 2019
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (281.894 KB) | DOI: 10.22146/sasdayajournal.43882

Abstract

Berkelanjutan, merupakan sebuah kata yang selalu menantang setiap insan akademik yang mengelola sebuah jurnal ilmiah seperti Sasdaya ini. Sejak edisi pertama terbit pada akhir tahun 2016, kata itu terus mengusik para pengelola. Namun ketika optimisme dan selalu berpikir positif berpadu dengan komitmen, tantangan itu ternyata mampu menghasilkan buah semangat untuk terus bekerja dari waktu ke waktu menghadirkan edisi demi edisi. Kepercayaan diri terus tumbuh untuk memperbaiki dan memantapkan pengelolaan jurnal, sehingga tantangan lain  agar jurnal berstatus terakreditasi dan terindeks pada pangkalan data ilmiah baik nasional maupun internasional menjadi sesuatu yang tidak lagi dianggap berlebihan. Berbagai dukungan yang telah diberikan baik oleh Fakultas Ilmu Budaya maupun Universitas Gadjah Mada selama ini, semakin memperjuta tekad para pengelola untuk meningkatkan kinerja, mutu, dan status jurnal ini.
AMBIVALENSI: CARA BARU MEMAHAMI IDENTITAS POST-KOLONIALISME BUDAYA INDONESIA Harahap, Muharina
SASDAYA: Gadjah Mada Journal of Humanities Vol 1, No 2 (2017): MEI
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdayajournal.27786

Abstract

Buku ini memuat kumpulan sembilan esai yang membicarakan tentang poskolonial dengan fokus pada perbincangan mengenai ambivalensi. Ke-ambivalensi-an tersebut masing-masing memiliki aspek yang berbeda-beda. Pembicaraan tersebut berpusat pada konsep mimikri, hibriditas, ‘ruang antara’, hegemoni, resistensi, dan sebagainya. Konsep-konsep tersebut dijadikan alat untuk membedah serangkaian wacana poskolonial mulai dari musik hingga yang terkait dengan agama.
Nasionalis Pembaru Tanpa Kegaduhan: Biografi Manusiawi Sultan Hamengku Buwono IX Purwanto, Bambang
SASDAYA: Gadjah Mada Journal of Humanities Vol 2, No 2 (2018): MEI
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdayajournal.36456

Abstract

Ada satu hal yang selalu membekas setiap kali selesai membaca biografi, yaitu muncul kesan betapa pentingnya setiap figur itu di dalam proses sejarah yang dijalaninya. Setiap tokoh yang ada di dalam biografi itu selalu dihadirkan sebagai keutuhan diri yang sempurna, seseorang yang seakan-akan tidak pernah memiliki kekurangan layaknya seperti malaikat. Masing-masing tokoh hadir dengan kebesaran diri yang luar biasa, dan bahkan dalam banyak hal cenderung digambarkan melampaui kenyataan diri sebagai manusia, atau paling tidak seperti manusia super. Akibatnya, intersubjektivitas dalam penulisan sejarah dan mitologisasi atas figur yang menjadi objek tulisan tidak dapat dihindari. Perbedaan antara sejarah sebagai historiografi yang merupakan konstruksi atas kenyataan yang terjadi di masa lalu dengaan mitos yang dipenuhi oleh subjektivitas normatif dan sarat dengan kepentingan legitimatif, menjadi sangat tipis. Dalam banyak kasus bahkan sejarah dan mitos bercampur aduk menjadi satu, namun di dalam memori kolektif dipercaya benar-benar sebagai kenyataan masa lalu oleh masyarakatnya. Terlepas dari berbagai tinjauan kritis yang ada di dalam biografi ini, kebesaran Sultan Hamengku Buwono IX sebagai nasionalis dan pembaru baik dalam konteks sejarah Yogyakarta maupun sejarah Indonesia tetap lebih menonjol dan tidak tergantikan, harimau mati meninggalkan belang gajah mati meninggalkan gading manusia mati meninggalkan nama. Nama besar Sultan Hamengku Buwono IX sebagai nasionalis Indonesia sejati yang tidak pernah melupakan asal usul kejawamataramannya tidak akan hilang oleh tinjau kritis atas tindakan-tindakan politik dalam konteks masanya. 

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