Juliastuty, Dewi
Balai Pelestarian Nilai Budaya Jawa Barat

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DINAMIKA TEATER TRADISIONAL MENDU DI KALBAR (1712 - 2014) Juliastuty, Dewi
Patanjala : Jurnal Penelitian Sejarah dan Budaya Vol 6, No 1 (2014): PATANJALA VOL. 6 NO. 1 MARET 2014
Publisher : Balai Pelestarian Nilai Budaya Jawa Barat

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Abstract

Abstrak Mendu adalah teater tradisional di Kalimantan Barat. Mendu berasal dari Kabupaten Pontianak, terpusat di Dusun Malakian Desa Sengkubang Kecamatan Mempawah Hilir. Masa jaya teater mendu pada tahun 1876–1942. Tahun 1980 mendu bangkit kemudian menjadi  primadona dan berkembang pesat di Provinsi Kalimantan Barat selama tahun 1980-an. Perlahan mendu meredup dan akhirnya mati suri. Masalah dalam kajian ini adalah bagaimana dinamika mendu di Kalbar. Tujuannya adalah mendeskripsikan dinamika mendu di Kalimantan Barat. Teknik pengumpulan data adalah wawancara dan studi dokumentasi. Metode yang digunakan adalah kualitatif dan didukung oleh pendekatan sosiologi sastra serta menggunakan teori sosiologi teater. Kajian ini merupakan kajian awal sehingga berpeluang dilakukan kajian lanjutan. Simpulan penelitian ini adalah mendu Kalimantan Barat merupakan penggabungan antara wayang Cina dengan syair Melayu. Keberadaan mendu di Kalbar mengalami pasang surut. Semakin derasnya arus globalisasi membuat mendu semakin tersisih pada zaman modern. Jika hal ini dibiarkan, maka kesenian mendu bukan hanya mati suri bahkan punah. Oleh karena itu, diperlukan dukungan dan tindakan nyata pemerintah dan masyarakat untuk menghidupkan kembali dan melestarikan mendu. AbstractMendu is a traditional theatre in West Kalimantan.  Mendu Theatre is from Pontianak, in Malakian Sengkubang village, Mempawah Hilir sub district.  The Golden era of Mendu theatre was around 1876-1942.  In 1980, Mendu Theatre raised and became the greatest and drew up in the province of West Kalimantan. As time as goes by, the theatre was abandoned.  The question of the research is about the dynamics of Mendu Theatre in West Kalimantan.  The purpose of the research is to describe of mendu theatre cycle in West Kalimantan.  The techniques of collecting the data are in depth interview and documentation studies.  The method is qualitative method, and also uses the theory of literature and theatre sociology.  This research is only the beginning and it will continue.  The summary of this research mendu theatre in west Kalimantan was the collaboration of Chinese puppet with Malay’s verse.  Globalization impact is one of the biggest factors that affecting mendu theatre’s.  If this problem still appeared, then the result is mendu theatre will vanish.  Government alongside the society should take an action in conserving the Mendu Theatre.
LOKALITAS DALAM BAYANG-BAYANG TEMBAWANG ANTOLOGI PUISI PENULIS KALIMANTAN BARAT Juliastuty, Dewi; Fuad, Khairul
Tuah Talino Vol 10 (2016): TUAH TALINO
Publisher : Balai Bahasa Kalimantan Barat

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Abstract

Tembawang is specific therminology of Dayak people of West Borneo, which contains the local wisdom as a regulation system of Dayak People. The units in tembawang system are reflection of local diversity in West Borneo, The Equator Land. Therefore, the locality to be an object of this research. The title of this research is Locality in Bayang-Bayang Tembawang Antologi Puisi Penulis Kalimantan Barat. The locality means the events or the problem connected to West Borneo, either in the past and present, such as river culture. Description of poetries data applicate to find the specific locality of West Borneo, and then, it analized  through literary anthropology approach. Therefore the specific locality of West Kalimantan implemented in anthology. The spirit of locality increases and to be base on local therminology, tembawang.
KUTUKAN MENJADI BATU PADA LIMA LEGENDA DI INDONESIA Juliastuty, Dewi
Tuah Talino Vol 12, No 1 (2018): TUAH TALINO
Publisher : Balai Bahasa Kalimantan Barat

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Abstract

The purpose of the study was to describe the curse of being a stone in five legends in Indonesia. The problem of this research is how do curses become stones in five legends in Indonesia? This study uses the theory of oral literature with the method of descriptive analysis method. The conclusions of this study, namely the curse in the five Indonesian legends, is the influence of the totality of thinking that there is greater power beyond human power so that objects outside human beings have a unified relationship with humans.