Wadiyo Wadiyo, Wadiyo
Fakultas Bahasa dan Seni, Universitas Negeri Semarang

Published : 19 Documents
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PEMBUATAN TRIGGER GAMELAN DENGAN MEMANFAATKAN MIKRO KONTROLER ARDUINO NANO AT328

Sainteknol : Jurnal Sains dan Teknologi Vol 14, No 2 (2016): December 2016
Publisher : Unnes Journal

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Abstract

Ditemukannya Gatul (Gamelan Tutul) oleh Dosen di ITS (Institut Teknologi Surabaya dan E-Gamelan di Udinus (Universitas Dian Nuswantoro) serta hasil penelitian di Unnes berjudul “Aplikasi Teknologi Sampling dalam Pembuatan Soundfont Suara Gamelan sebagai Media Pembelajaran Seni Musik SMP di Kota Semarang” membuka peluang untuk diciptakan Triger Gamelan yang dapat digunakan sebagai media pembelajaran musik. Permasalahan utama yang diajukan dalam penelitian ini adalah bagaimanakah pembuatan prototip triger gamelan dengan memanfaatkan Mikro kontroler Arduino nano AT328? Oleh karena itu tujuan penelitian ini bertujuan untuk mengembangkan prototip triger gamelan dengan memanfaatkan Mikro kontroler Arduino nano AT328 yang dapat digunakan sebagai media pembelajaran musik di SD. Metode yang digunakan adalah metode penelitian dan pengembangan atau Research and Development (R&D) yang diadopsi dari Borg and Gall (1989:784) dengan sepuluh langkah penelitian. Produk luaran yang dihasilkan adalah prototip triger gamelan, dan panduan penggunaannya.

Cultural Communication of Didong Jalu in Takengon, Central Aceh Regency

Catharsis Vol 7 No 1 (2018): June 2018
Publisher : Catharsis

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Abstract

Didong Jalu is a traditional art from Aceh Tengah (central aceh) that performs 2 (two) Didong group in one performance. Didong Jalu is an art that combines vocal and motion art with a small pillow as the property. Didong Jalu  is also used as a medium of communication among societies from different ethnics. The problems of the research are (1) How is the Didong Jalu performance of Kampung Toweren societies, Takengon Central aceh Regency if it is reviewed from Entomusicology?, (2) How is Didong Jalu performance used as a medium of cultural communication by Kampung Toweren societies, Takengon, Central aceh Regency?. The research method is qualitative with interdicipline approach. The research design is case study, this research is only applicable for where the research was held. The research location is Kampung Toweren Takengon, Central aceh Regency. The research focused on Didong Jalu performance with performance concept and communication concept. The source of data was primary data involving artists, literature documents, and public figure, while the secondary data involves books, and references from previous research.the data collection techniques are observation, interview, and study document. The technique of data validity used data triangulation. Data analysis techniques consist of reduction, data presentation, data verification. The results of the research was that Didong Jalu performance observed used 2 (two) concepts, they are concept presented by Sal Murgiyanto, involving (a) beginning parts, (b) core parts, (c) final parts; (d) rhythm, (e) melody. Didong Jalu performance as a cultural communication can be seen clearly from the elements which influence communication system presented by Alo Liliweri, such as, Didong Jalu as a communicator, communicant, message, media, effect, athmosphere, and disturbance.

Musik Gondang Batak Horas Rapolo dalam Proses Penggunaanya untuk Berkesenian pada Upacara Adat Pernikahan Batak Toba di kota Semarang

Catharsis Vol 5 No 1 (2016)
Publisher : Catharsis

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Abstract

Musik Gondang Batak adalah musik tradisi yang berasal dari Sumatera Utara. Musik Gondang Batak ini dikembangkan oleh grup Horas Rapolo di Kota Semarang dan digunakan sebagai musik pengiring dalam berbagai acara dan upacara adat khususnya dalam upacara adat pernikahan di Kota Semarang. Grup musik Gondang Batak dalam mengiringi upacara adat lahir dari sebuah  tindakan nyata yang dilakukan antar individu dan kelompok (penikmat). Masalah penelitian ini adalah bagaimana proses penggunaan musik Gondang Batak dalam upacara adat pernikahan di Kota Semarang? Pendekatan yang diterapkan penelitian ini adalah disiplin ilmu sosiologi. Kajian sosiologi dalam teori tindakan sosial Max Weber akan digunakan untuk mengkaji tindakan sosial dalam  proses  penggunaan  musik  Gondang  Batak  grup  Horas  Rapolo  pada  Upacara  adat pernikahan di Kota Semarang. Metode yang digunakan adalah kualitatif. Lokasi penelitian di Taman Budaya Raden Saleh, Kota Semarang. Teknik pengumpulan data yang digunakan adalah observasi, wawancara, dan studi dokumen. Teknik keabsahan data secara utama menggunakan triangulasi  sumber.  Teknik analisis  data  yang  digunakan  adalah  analisis  isi  dan analisis  data interaktif. Hasil penelitian menunjukkan, adanya interaksi  dari situasi  sosial yang melahirkan pemikiran subjektif sehingga adanya respon serta tanggapan kepada penikmat dalam upacara adat pernikahan tersebut.

NILAI-NILAI YANG TERTANAM PADA MASYARAKAT DALAM KEGIATAN MASAMPER DI DESA LAONGGO

Catharsis Vol 5 No 1 (2016)
Publisher : Catharsis

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Abstract

Fenomena berkesenian masyarakat etnis Sangihe di desa Laonggo menjadi hal yang unik dan menarik. Dalam hal ini, Masamper diyakini tidak hanya sebagai sarana hiburan masyarakat  tetapi  juga  sebagai  sarana  untuk  berinteraksi.    Masalah  yang  dikemukakan dalam penelitian ini adalah nilai-nilai apa yang tertanam pada masyarakat dalam aktivitas interaksi yang terjadi dalam Masamper. Metode yang digunakan adalah metode kualitatif dengan  desain  penelitian  studi  kasus.  Teknik  pengumpulan  data  meliputi  observasi,wawancara  dan  studi  dokumen.  Hasil  penelitian  menunjukan  bahwa  nilai-nilai  yang tertanam pada masyarakat dalam kegiatan Masamper, terbentuk melalui proses interaksi yang terjadi pada saat kegiatan Masamper berlangsung. Interaksi dalam kegiatan Masamper merupakan interaksi simbolis yang ditandai dengan adanya tindakan yang didasarkan atas makna. Nilai-nilai yang tertanam pada masyarakat meliputi nilai religius, kerjasama, etika, kerukunan, cinta budaya, kedisiplinan, tenggang rasa, dan keindahan. Nilai-nilai tersebut tertanam  pada  masyarakat tidak hanya  melalui  lagu-lagu  yang  dinyanyikan,  tetapi  juga melalui aktivitas-aktivitas atau tindakan-tindakan yang dilakukan masyarakat pada saat berinteraksi dalam kegiatan Masamper.

SYAROFAL ANAM: FUNGSIONALISME STRUKTURAL PADA SANGGAR AN-NAJJAM KOTA PALEMBANG

Catharsis Vol 5 No 2 (2016)
Publisher : Catharsis

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Abstract

Syarofal Anam pada dasarnya adalah penyajian vokal salawatan atau puji-pujian kepada Allah dan Nabi Muhammad SAW yang disertai dengan permainan alat musik terbangan dan dalam penyajiannya ketiga elemen ini (vokal, alat musik terbangan dan Rodat) saling berkaitan. Permasalahan pada penelitian ini terkait dengan bagaimana fungsionalisme struktural Syarofal Anam yang ada pada Sanggar An-Najjam Kota Palembang. Pendekatan yang diterapkan penelitian ini adalah interdisplin, yang melibatkan disiplin ilmu sosiologi dan musikologi. Metode yang digunakan adalah kualitatif. Teknik pengumpulan data yang digunakan adalah observasi, wawancara, dan studi dokumen. Teknik keabsahan data secara utama menggunakan triangulasi sumber. Teknik analisis data yang digunakan adalah analisis isi dan analisis data interaktif. Hasil penelitian menunjukkan, Syarofal Anam pada Sanggar An-Najjam dan masyarakat Palembang saling fungsional yang masing-masing mempunyai harapan demi keberlangsungan Syarofal Anam. Syarofal Anam menjadi kebutuhan estetik yang fungsional bagi masyarakat Kota Palembang.

MADIHIN AR RUMI: KREATIVITAS MUSIK DAN TINDAKAN SOSIAL DALAM PENYAJIANNYA

Catharsis Vol 5 No 2 (2016)
Publisher : Catharsis

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Abstract

Fenomena berkesenian di sanggar Ar Rumi menjadi hal yang menarik terhadap Madihin.Penelitian ini bertujuan untuk menganalisis dan memahami tindakan sosial dalam penyajian Madihin. Metode yang digunakan adalah kualitatif dengan pendekatan sosiologi. Teknik pengumpulan data meliputi observasi, wawancara, dan studi dokumen. Teknik keabsahan data menggunakan teknik triangulasi dan teknik analisis data yang digunakan mengikuti langkah analisis model interaktif. Hasil penelitian menunjukan bahwa Madihin digital di sanggar Ar Rumi terbentuk karena adanya tindakan-tindakan yang dilakukan oleh sanggar Ar Rumi dimana tindakan tersebut menghasilkan suatu interaksi sosial yang meliputi kontak sosial dan komunikasi secara antara pamadihinan dan penikmat.

The Appreciation of Ngloho Santri Society Towards Kubrosiswo Bintang Mudo Art in Ngloho Pringsurat Temanggung

Catharsis Vol 6 No 2 (2017)
Publisher : Catharsis

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Abstract

Peoples appreciation of traditional art can be influenced by the views of the community. This study aims to examine the appreciation of Ngloho santri society towards Kubrosiswo Bintang Mudo Arts. This research uses qualitative method. The approach used is a contextual approach or how to understand a phenomenon by connecting it to other phenomena in a particular culture. In the context of this research, problem solving is placed within the socio-cultural context of Ngloho santri society.The appreciation of Ngloho santri society towards Kubrosiswo Bintang Mudo art splits into two, namely the young and the old group. Kubrosiswo Bintang Mudo since its inception in Ngloho Hamlet in 1989 was supported by a group of young people because of the desire to fulfill their aesthetic needs for a traditional art form that can represent their identity. This art for young people is understood as a symbol of trends, progress and modernity. The old group tends to keep a distance to this art. For them this art is considered jogedan art that is understood as the symbol of abangan art. In addition, the existence of pre-show and trance ritual sessions for the old group is considered to have come out of the Islamic faith.

The Influence of Socio-Cultural Changes to the Form of Randai Kuantan Art in Kuantan Singingi Riau

Catharsis Vol 7 No 1 (2018): June 2018
Publisher : Catharsis

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Abstract

Randai Kuantan is a performing art consisting of art elements, such as, theater, dance, and music from social phenomenon and combination of traditional art of Kuantan Singingi society. Art is a cultural expression of a society that has various functions in accordance with the interests and the condition of the societies. The purpose of this research is to analyze the influence of social change on the form of performance in Randai Kuantan. The science used is Sociology for explaining the factors which influence social change in a society. The method used was interpretative qualitative, and data collection technique was by observation, interview, and document study with primary and secondary data sources. Technique of data validity was by sources triangulation, and the technique of data analysis was by data reduction, presentation, and verification data. The resarch was located in Kuantan Singingi Riau. The social changes are influenced by 2 (two) factors, outside and inside factors and then relates to the role of education, religion, economy, tribes, and social environment of Kuantan Singingi societies. Those factors change the form of Randai Kuantan art including time of performance, members, the location of performance, make up, and costumes. The application of traditional art media are attempts being made to foster awareness of the values and norms that exist in society. In the process of application aspects of the values found in the art of Randai Kuantan is expected to be established and raises awareness for consumer demand. As for the arts as a form of cultural expression community have diverse functions fit the interests and circumstances of society. But basically there are also elements which govern the system of values which formed the society rules, norms, conventions that act as guidelines to achieve the goal. So the arts directly has affected the values and norms that are structurally brings social change on the form of artistry Randai Kuantan. Based on the existing social values were associated in an attempt the formation of individual character in a social environment.

The Musical Creativity of Senggol Tromol Semarang in The Context of Social Change

Catharsis Vol 7 No 1: Article In Press
Publisher : Catharsis

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Abstract

Senggol Tromol is a parody music group from Semarang, most of their songs are representation of phenomenon which is trending in society for a certain period of time. The phenomenon would only last for a certain period of time because of social change happens in the society. The purpose of this study is to analyze the creative process and the social change which happen to Senggol Tromol. This study used qualitative method with observation, interview, and documentation as the method of collecting data. The methods of data analysis were data collection, data presentation, data reduction, and data verification. The results of the study show that in the creative process, Senggol Tromol did not always create new works, but they also modified existing ones. The steps were searching for inspiration, gathering ideas, determining the target listener, determining the themes, creating song structure and arrangement. The social change happens in Senggol Tromol went along with the presence of digital music platform which replaced physical release era, used by them as the promotion media to sell their works digitally.

Orkes Puisi Sampak Gusuran : the Creativity of Processing and Symbolic Meanings in Action of Art for the Art Consumer Community

Catharsis Vol 7 No 2 (2018): Article In Press
Publisher : Catharsis

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Abstract

This research raises the problem about an art group located in Pati Central Java named Orkes Puisi Sampak Gusuran. The group has created the art of musical poetry. The purpose of this study was to obtain a picture of the form of creativity and symbolic meaning of the work of the Orkes Puisi Sampak Gusuran for the society of art consumer. This research used qualitative method and used an interdisciplinary approach to find out the symbolic meaning, using symbolic interaction theory. The data collection techniques used are interviews, observation, and document studies. The results of this study indicate that; 1)there are poetry reading techniques must be maintained in order to maintain the meaning of the deepest meaning of a poetry to be away from melodic readings such as language in a songs, although the music as a companion is still presented as a builder of nuance 2)the syllable of poetry can be widened or narrow to adjust to music without reducing the essence of his poetry. From the mixing of instruments, musical genres and mixed arrangements, a new musical arrangement is created that is sometimes undetectable in its genre. This is where the originality the work of Orkes Puisi Sampak Gusuran, where the arrangement sounded flowing, following the atmosphere of poetry, strengthen it into music that is different from others but still strong as a music or as a poetry. Meanwhile the symbolic meaning that can be concluded is: 1)works of poetry Orkes Puisi Sampak Gusuran symbolize life that occurred in society and also a relation to God 2)the use of traditional instruments is a relationship with the ancestors who remain woven in the present.