Sutarno Haryono
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Penerapan Management Seni Pertunjukan pada Teater Koma (Management Aplication of Performing Art in Teater Koma ) Haryono, Sutarno
Harmonia: Journal of Arts Research and Education Vol 6, No 3 (2005)
Publisher : Department of Drama, Dance, and Musik (Sendratasik), Semarang State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v6i3.810

Abstract

Teater Koma merupakan salah satu komunitas seni teater di Indonesia yang kreatif danproduktif, pencarian bentukbentuk inovatif yang selalu dilakukan, dan kerja keras dariseluruh para anggota. Kreativitas sangat mewarnai pada setiap hasil karya dan mencirikandengan gaya bahasa, gerak, musik, penjiwaan pada setiap karakter, dan tema yang diangkatbetorientasi pada kehidupan budaya keseharian. Kecermatan dalam usahanya mengangkattema menjadi perhatian utama melalui proses yang panjang dan melibatkan para aktormaupun aktris untuk terjun langsung di lingkungan sosial masyarakat yang menjadi objek.Semua proses dilakukan dengan penuh kesadaran bahwa pembelajaran maupunpembentukan diri menjadi aktor maupun aktris yang berhasil (berkualitas) perlu adanyapeleburan diri ke berbagai kehidupan sosial masyarakat. Peran utama seorang manajeryang sekaligus sebagai sutradara sangat menentukan, tampak adanya usahausaha untukkarya seninya. Manajer ahli dalam mengatur sebuah komunitas (Teater Koma) agar tetapeksis, satu visi, kebersamaan, keutuhan, satu tekat yang bulat. Sifat keterbukaan, caramemenegemen tentang; produksi, pemsaran, dan pergelaran menjadi bagian utamakehidupan organisasi.Kata Kunci: Seni, Managemen, Produksi, Pemasaran, Pergelaran
Implementasi Konsep Langendriya Mandraswara terhadap Seniman Muda Haryono, Sutarno
PANGGUNG Vol 22, No 1 (2012): Menggali KEkayaan Bentuk dan Makna Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v22i1.38

Abstract

Culture, especially the arts of the palace, is understood to be court arts full of symbols and com- plexity, representing the philosophy of the king with high values and meaning. Langendriya Man- draswara first appeared in the Mangkunegaran, during the reign of Mangkunegara IV (1853-1881), integrating verbal and non-verbal components, with effective, communicative, expressive, and aes- thetic meaning. The spirit of Langendriya Mandraswara is a source of inspiration for young artists. Keywords: Langendriya Mandraswara concept, Verbal and non-verbal Language.
Implementasi Konsep Langendriya Mandraswara terhadap Seniman Muda Haryono, Sutarno
PANGGUNG Vol 22, No 1 (2012): Menggali KEkayaan Bentuk dan Makna Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v22i1.38

Abstract

Culture, especially the arts of the palace, is understood to be court arts full of symbols and com- plexity, representing the philosophy of the king with high values and meaning. Langendriya Man- draswara first appeared in the Mangkunegaran, during the reign of Mangkunegara IV (1853-1881), integrating verbal and non-verbal components, with effective, communicative, expressive, and aes- thetic meaning. The spirit of Langendriya Mandraswara is a source of inspiration for young artists. Keywords: Langendriya Mandraswara concept, Verbal and non-verbal Language.
Analisis Kontekstual Adegan Pernikahan Ratu Ayu Kencanawungu Dalam Tari Langendriyan Haryono, Sutarno
Greget Jurnal Pengetahuan dan Penciptaan Tari Vol 12, No 1 (2013)
Publisher : Greget Jurnal Pengetahuan dan Penciptaan Tari

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Abstract

The overall appearance of a dance is not a construction of which the elements can be analyzed individually but rather a complete and rounded unit (gestalt). Therefore, presentational symbols rather than discursive symbols emerge. Presentational symbols point to the hidden meaning behind the meaning that is directly visible, or reveal a level of meaning that is presupposed within the literal meaning. Of course, when interpreting the meaning of an art which contains a number of different elements, such as dance, a highly complex unit is observed which is made up of all the different elements that cannot be separated one from another. Keywords : Analysis, Contextual, Macapat, and Dance Movements.
SASTRA TEMBANG PADA KONTEKSTUAL ADEGAN DAMARWULAN SEBAGAI PENGUASA MAJAPAHIT DALAM TARI LANGENDRIYAN Haryono, Sutarno
Greget Jurnal Pengetahuan dan Penciptaan Tari Vol 13, No 1 (2014)
Publisher : Greget Jurnal Pengetahuan dan Penciptaan Tari

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Abstract

The presence of dance is generally not a construction whose elements can be analyzed butrather a unified or cohesive whole (gestalt). Thus, presentational symbols rather than discursivesymbols appear. Presentational symbols refer to the meaning that is hidden behind the meaningthat is immediately visible, or reveal a level of meaning that is presupposed within the literalmeaning. Of course, interpreting an art which contains several different elements, such as the artof dance, is highly complex since it is constructed of elements that are bound together and cannotbe separated from each other.Keywords: Analysis, Contextual,Macapat, Dance Movements.
JARANAN POGOGAN TEGUH RAHAYU DESA SUGIHWARAS, PRAMBON, KABUPATEN NGANJUK (KAJIAN HOLISTIK) Anggraini, Marinda Lisa; Haryono, Sutarno
Greget Jurnal Pengetahuan dan Penciptaan Tari Vol 17, No 2 (2018)
Publisher : Greget Jurnal Pengetahuan dan Penciptaan Tari

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Abstract

Penelitian ini bertujuan untuk mendiskripsikan dan mengkaji secara anilitis tentang Jaranan Pogogan Teguh Rahayu. Metode penelitian yang digunakan adalah metode penelitian kualitatif dengan menggunakan pendekatan kritik seni holistik. Tahap penelitian yang digunakan adalah pengumpulan data dengan melakukan observasi, wawancara, dan studi pustaka. Seluruh data yang didapat kemudian di analisis dengan menggunakan pendekatan kritik holistik yang mencakup faktor genetik, faktor objektif serta faktor afektif. Hasil temuan bahwa Kesenian Jaranan Pogogan Teguh Rahayu merupakan kesenian yang diciptakan selain sebagai sarana hiburan juga sebagai sarana edukasi. Terdapat pesan-pesan moral dibalik setiap penyajiannya seperti semangat juang, kerja keras dan perintah-perintah untuk melakukan kebaikan.Kata kunci: Jaranan Pogogan Teguh Rahayu, Kritik Seni Holistik.AbstractThe goal of this research is to describe and carry out an analytical study of Jaranan Pogogan Teguh Rahayu. A qualitative research method is used with a holistic art criticism approach. The stages of the research include data collection through observation, interviews, and a library study. All the data obtained is then analyzed using a holistic art criticism approach which includes the genetic factors, objective factors, and affective factors. The research results show that the art of Jaranan Pogogan Teguh Rahayu was created as a form of entertainment and also as a medium for education. Every performance contains moral messages, such as the need for a fighting spirit, the importance of hard work, and instructions to perform good deeds.Keywords: Jaranan Pogogan Teguh Rahayu, Holistic Art Criticism.
Konsep Dasar Bagi Seorang Penari Haryono, Sutarno
Greget Jurnal Pengetahuan dan Penciptaan Tari Vol 11, No 1 (2012)
Publisher : Greget Jurnal Pengetahuan dan Penciptaan Tari

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Abstract

There are two aspects which place emphasis on creativity as one of the main motivations of a dancer to increase his or her ability to project a creative interpretation, create empathy, and possess a social perspective. This emphasis includes the meaning of an idea which is reinforced through creative activity by looking at something with a broader perspective. The creative discovery of a dancer is essentially as important as developing ideas, and also the final result. As such, it is hoped that a dancer will determine and react to changes and developments in the art community by producing a personal interpretation in the form of a dance performance. Keywords : Basic concepts, Basic skills, and Dancer. 
Paradigma Penelitian Haryono, Sutarno
Greget Jurnal Pengetahuan dan Penciptaan Tari Vol 9, No 1 (2010)
Publisher : Greget Jurnal Pengetahuan dan Penciptaan Tari

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Abstract

Research is an attempt to understand facts in a rational empirical way, using a certain procedure in accordance with the method chosen by the researcher. There are two kinds of research, namely quantitative and qualitative. In the research of a particular work, program, or event, using a holistic critical approach, its quality should be viewed from the perspective of its background, its objective formal conditions, and its impact. Keywords: Research, quantitative, qualitative, holistic critical.
Implementasi Konsep Kesantunan Budaya Jawa pada Seni Pertunjukan Langendriya Mandraswara Mangkunegaran Haryono, Sutarno
Greget Jurnal Pengetahuan dan Penciptaan Tari Vol 5, No 2 (2009)
Publisher : Greget Jurnal Pengetahuan dan Penciptaan Tari

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Abstract

When Mangkunegara IV was in power in the Mangkunegaran (1853-1881), he created several new art forms, one of which was Langendriya Mandraswara, which uses as its media both verbal and non-verbal components. The verbal component, traditional Javanese singing, or tembang macapat, is adapted to suit the social strata and takes into consideration the principle of politeness. The non-verbal component expresses a particular character. The integration of the two components creates a clearer, more communicative, and more aesthetic meaning.Keywords: Politeness, verbal and non-verbal components
MAKNA TEKS DRAMA TARI LANGEN CARITA JAKA TINGKIR Fajarina, Nanda Isa; Haryono, Sutarno
Greget Jurnal Pengetahuan dan Penciptaan Tari Vol 17, No 2 (2018)
Publisher : Greget Jurnal Pengetahuan dan Penciptaan Tari

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Abstract

AbstrakPenelitian DramaTari Langen Carita Jaka Tingkir bertujuan untuk mendiskripsikan makna Teks dan bentuk Drama Tari Langen Carita Jaka Tingkir. Penelitian inimenggunakan Konsep Pragmatik menurut Maryono dan konsep seni pertunjukan menurut maryono. Penulisan skripsi ini menggunakan metode penelitian kualitatif dimanadi dalam metodeini bertujuan untuk memperoleh data sebanyak-banyaknya kemudian dianalisis dan dideskripsikan secara mendalam, sehingga dapat memberikan gambaran dan pemaparan mengenai Mana Teks Drama Tari Langen Carita Jaka Tingkir. Tehnik pengumpulan data yang digunakan adalah observasi, wawancara dan studi pustaka. Hasil penelitian menunjukan bahwa Drama Tari langen Carita Jaka tingkir memiliki sebuah mana teks karena didalamnya memiliki sebuah cerita yang mengandung makna nilai-nilai kehidupan. Nilai-nilai kehidupan tersebut diwujudkan dalam bentuk gerak, ekspresi, tembang dan juga dialog.nilai-nilai tersebut mampu diwujudkan dengan rasa melaui bentuk sajian Drama Tari langen Carita Jaka Tingkir. Drama Tari Langen Carita Jaka Tingir mampu mengungapkan sebuah rasa kegembiraan seorang anak yang sedang bermain dan menggelar langen Cerita dismping itu anak-anak tersebut mampu memberikan rasa gagah, berani dan berwibawa. Rasa tersebut dituang dalam sebuah tokoh Jaka tingkir, buaya dan juga prajurit. Dengan adanya sebuah makna teks Drama Tari Langen Carita Jaka tingkir diharapkan mampu memberikan sebuah pengajaran kepadapara generasi muda untuk lebih mencintai kebudayaan local atau cerita pahlawan local yang sekarang ini posisinya mulai tergantikan oleh perkembangan jaman.Kata kunci: Drama tari langen Carita Jaka Tingkir, Makna teks, bentuk.AbstractResearch DramaTari LangeJaka Tingkir aims to describe the meaning of the text and the form of dance Drama Langen Carita Jaka Tingkir. This research uses the Pragmatic Concept according to Maryono and the concept of performing arts according to maryono. Writing this thesis using qualitative research methods where in this method aims to obtain data as much as possible then analyzed and described in depth, so as to provide description and exposure of Mana Text Drama Dance Langen Carita Jaka Tingkir. Data collection techniques used are observation, interview and literaturestudy.The result of the research shows that the Dance Drama of Carita Jaka Tingkir has a text where because it has a story that contains the meaning of life values. Values of life is manifested in the form of motion, expression, song and also dialog. These values can be realized with a taste through the form of dish Dance Drama Dance Carita Jaka Tingkir. The Langen Carita Jaka Tingir Dance Drama is able to express a sense of joy of a child who is playing and deploying. The story of dismping children is able to give a sense of dashing, courage and dignity.The taste is poured in a character Jaka tingkir, crocodile and also the soldier. With the existence of a text meaning of Dance Drama Langen Carita Jaka tingkir is expected to give a teaching to the young generation to better love local culture or local hero story which is now its position began to be replaced by the development of the era.Top of FormKeywords: Drama Tari Langen Carita Jaka Tingkir, the meaning of text, form.